I’m reading a book atm (won’t name and shame, sorry) that’s been very hyped up. Like, all of booktube is gushing about it, it’s promoted everywhere, lots of praise in the back blurbs etcetera etcetera
And at first I was like: OK, interesting premise, protagonist seems a bit run of the mill but the story looks promising I guess
And I was right. It’s a cool story. Sure, it’s no Pratchett (nothing is, alas), but it’s tense, thrilling, page-turnery, magical, all the things that would usually make me go zing!
But
It does a thing I Do Not Like
And that is that it keeps introducing me to these side characters (this is Johnny and he owns a bakery and isn’t he a nice normal person baking all his precious little muffins) and then it kills them off in the next paragraph
Johnny the Baker gets his throat slit for calling the Secretly Evil Guards over. Soldier Boy Billy, introduced to me as he’s playing cards with a mate, goes to investigate a noise and never comes back. I say hi to Ellis the landlady of the Great Big Inn and next thing I know, the inn’s burned down with everybody still inside, including Ellis the landlady
Why would you do that
First of all, making me invested in characters that you’re going to kill off anyway is a great way of making sure I’m not going to get invested in any of your characters now because what’s the point
Second, killing off ‘quirky’, ‘normal’ characters for shock value or sadness points? That’s old. Like, GRRM old and I didn’t like it when he started doing it either
And third, and here’s where we cycle back to Pratchett: if you have to kill off a side character, and if you are giving him a name and backstory and everything to make me invested in them, then you’d better send them off right. Pratchett did this incredibly well with Death, but we can’t all be him so I’ll take alternatives. Like, I don’t know. Have another character find them, mourn them and do right by them.
Like give them a proper burial.
Or vow bloody revenge on whoever did this (bonus points if it’s the protagonist who Did This, bc that would make things interesting)
Or something. Don’t just… ‘and then everything went dark’ me, because that? Boring, done before and it sits not right.
Basically, what I’m trying to say is:
- Even when side characters die, give me some kind of closure
- If you write a story, you’d better show some care for all your characters, no matter how far off to the side they are. They’re still (imaginary) people, and they deserve to be done right by you, their author and creator
Two things I feel like Pratchett understood and did well. And that concludes my essay about how I’m once again sitting curled up in a corner and fiercely missing the man who made me care about a crotchety old witch, an even crotchetier and frightfully sober Watch captain and a girl armed with hundreds of little blue men and a rage hot enough to boil the sun.
GNU Terry Pratchett