[rainbow-femme]

Aziraphale horrified that Crowley would suggest he kill someone as if he didn’t get that French dude killed cause he was annoying

[nazyalenskyy-archive]

Did yall notice aziraphale turn towards crowley when he was talking about the stain on his coat. Almost although he was asking for him to get rid of it. Hmm

[unstaple-yourself]

Michael Sheen: retweets/likes a) a Pride Parade sign based on his character, b) a rainbow-draped drawing of his character as Protector of the Gays

Me: just cries? I guess?

[apostate-crowley]

The only way to make Gabriel a redeemable character is to characterize him as like. Kronk

[cari28ch3-me]

wait… Adria Arjona, who plays Anathema in Good Omens is the daughter of Ricardo Arjona aka one of the biggest most successful singer/songwriters in Latin America?!?!?! and no one told me?!?!?!

[nyxserpent]

Line from the fic I’m currently reading that made me crack up

“What, ya scared I’ll crumple your precious Prada shirt?”, jeered ‘Ligur’ and shoved Crowley in the shoulder. His cronies laughed dutifully. “That should -”

“This is Gucci, you heathen”, said Crowley indignantly and kicked him square between the legs.

It was a nice day

[shadowed-yet-vibrant]

“The average demon thinks of kissing an angel once a day” factoid is actually a statistical error. The average demon thinks of kissing angels 0 times a day. Demon Crowley, who is hopelessly in love and thinks about kissing Aziraphale every few minutes, is a statistical outlier and should not have been counted. 

[forineffablereasons]

honestly where the show really succeeds in aziraphale and crowley is taking the time to show their familiarity, their domesticity with one another. their conversations meander and ramble; they talk about things other than the antichrist. they have lives and histories with each other outside the main plot. nobody could call the velvet underground bebop. ducks! that’s what water slides off of/just drive the car. arguing about driving 90 miles an hour in central london. these are all the sorts of things that flash bang media these days tends to cut because they’re not showy, they’re not really even relevant. cutting these moments is an easy way to cut time, stretch budgets, streamline narratives. i think we’re more used to now getting an “establishing” scene where we are meant to understand a relationship’s dynamic, and the rest of the time that dynamic stays implied through the movement of the narrative. but good omens revisits these moments again and again. it invites us into a relationship that has movement, depth, give and take, nuance. it invites us into a relationship that has problems and one that has beauty. crowley doesn’t just show up to save aziraphale in 1793 and 1941; they banter back and forth while it’s happening. it’s easy to see them as people that the plot is happening to, rather than characters reacting to a plot. they live and breathe. it’s really beautiful.

[niceprophecies]

@michaelsheen