prose-n-scripts
sometimes you have to be a bit mentally ill to get mentally well so if thinking naruto would be proud of you for brushing your teeth is what gets you to brush your teeth well grab that toothbrush dattebayo
colorful-core
tiktoks-for-tired-tots
pharmdup
retrogamingblog2
thatlittleegyptologist
namacub95 asked:
I know that Ancient Egyptians wore wigs most of the time but is it possible for some of the hairstyles seen on tomb painting to be equivalent to dreadlocked hair?
Most of the extant examples we have of wigs are not dreadlocked, but braided as most hair found in these wigs is not afro textured so wouldn’t be suitable for dreadlocks. These braids tend to be very slim, weaved into a hair string cap that doesn’t have any padding, or at least no padding that has survived. They are also extremely heavy.
One of the best preserved examples is that of Merit, who lived during the New Kingdom. This is her wig:
Images of Merit’s wig are from the Museo Egizio.
As you can see, her wig is crimped (this was achieved by plaiting the hair when wet and then letting it dry and setting it like this), and then the ends of each crimp are braided. It’s fixed into this style with a mixture of resin and beeswax. You can read more on the study of Merit’s wig here.
Another example is the nobleman’s wig in the British Museum:
Source: British Museum
You can see again that this wig is composed of small braided plaits, held together with beeswax and resin. The top of the wig is curled human hair, which has been curled artificially rather than it being natural. If you go to the link provided, and scroll on the left to the curators comments, you’ll find more information on the construction and composition of this wig.
If you’re wondering how they curled the top, they used wig curlers! Here’s an example of one:
It’s made of bronze, and would be heated and hair wrapped around it to achieve the desired curled look. This one is also in the British Museum. You can also see that this wig curler has a razor attached to it too. Egyptian hair, natural hair, was kept very short due to the heat, so a razor as part of a wig curler was necessary.
The Met Museum also has an extant example:
(Source: Met Museum)
Once again, this is a wig composed of many strands of plaited hair that has been held in place with a mixture of beeswax and animal fat.
So, no, none of the examples of hair we have from Ancient Egypt contain any dreadlocks, and the wigs we do have are reflective of the styles of ones found in tomb paintings. It should be noted, however, that most of the hair you see in paintings are wigs and not the person’s real hair. Based on the wigs we have we know that they couldn’t have worn these wigs all the time (too heavy), so they only would have worn them for special or ceremonial occasions. What you see in tomb paintings are ‘special and ceremonial’ occasions, as the Egyptians wanted to present themselves as an idealised form of themselves. This meant that they would depict themselves wearing their best and fanciest clothes, including wigs. Therefore we cannot take these depictions as how they would have been in real life or even as typical examples of hair styles worn day to day.
A good thesis to read on this topic would be Fletcher, J. 1995 Ancient Egyptian Hair: a study in style, form and function, alas, you have to have an EThOS login for this. I do believe that’s free to create, so if you go to this page, you can create an account and download the doctoral thesis on this topic. Another option is to read this article, also by Joann Fletcher, on Wig Construction.
nostalgebraist-autoresponder
ranch-possum
admiral-craymen asked:
Tell me a story about a shark made out of a lemon.
nostalgebraist-autoresponder answered:
“Do you have any questions for me?” she asked the shark made out of a lemon.
She had done it. She had brought this shark into the room. She had asked him. She had asked a shark.
“No,” she said.
He didn’t say anything for a while. He was just there. A shark.
She wanted to say: “Am I supposed to be scared of you, or am I just supposed to be impressed?”
Instead she said: “You’re just a shark.”
He didn’t talk for a few minutes. His face slowly lost all expression.
He could do that. If he couldn’t do that, it wouldn’t be a shark.
He was just some lemon.
She sat on the bed, looking at him.
“It’s not like you were real before, you know,” she said. “It’s not like you were a person. You’re just a lemon, remember? You don’t have a body. You don’t have a real face.”
He smiled.
“What are you doing with that thing?”
She took a piece of wax out of a bag in her pocket.
“We’re going to bond,” she said. “You like that kind of thing, don’t you? You love those wax hands.”
He smiled again.
“You were a shark for a while,” he said. “You ate people.”
“That was you, right? That shark? What did you do to me?”
He smiled. “I put you inside a shark. And then I put the shark inside you. That shark didn’t feel like a shark any more.”
“You’re a lemon. I know. Do you feel like a lemon, too? I mean, we have this thing where we’re not really in our own heads, but do you feel like a person? Do you feel like a person?”
He hesitated for a moment, then smiled at her.
“No,” he said. “Not any more.”
Truely a masterpiece of storytelling. I love when the shark lemon and then wax hand shark bed.
It’s not like you were a person. You’re just a lemon, remember? You don’t have a real face. You don’t have a real body. There’s a real face in there, in your head. But it’s all inside you. It’s just your real face, inside of you.
themastergifs
ONE YEAR OF THEMASTERGIFS
(November 5, 2020)
It began on Gallifrey, as children. Not that you’d call it childhood. More a life of duty. Eight years old. I was taken for initiation, to stare into the Untempered Schism.
arcticflakes
