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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
bee-squared-official
fuckyeahgoodomens

Filling it with books was as large of a task as building it, and the whole undertaking was created only (mild spoiler alert!) to be burned down in the end.

Thankfully, to source around 7,000 throwaway books from across Europe, Ralph had a set decorator he could count on—his wife, Bronwyn Franklin. “She is sort of the unsung hero,” he says. “To find books that we could burn that weren’t necessarily damaging some fantastic literal tome, we had to really find a whole lot of books we could disguise and make look like antique books. She found some other beautiful items for the shop, like the antique cash register. My God did she get some beautiful things. And then we set fire to things. Controlled fire, but still fire.”

Two of the show’s concept artists (of which Ralph and Franklin’s son was one; another son was a standby prop builder) spent three weeks making the used books look like they belonged in an angel’s bookshop. Then, the space was outfitted with gas burners and flame bars to create the fire. “We had to build a special fire retardant material so that we could build certain things so they couldn’t blister, and then we could quickly do them up again for a second burn,” says Ralph. “But generally speaking, things do catch fire. We had the fire brigade there putting things out. We also had to blow the front windows out with air and water hoses so that Crowley gets hit and pushed across—it’s just a big, big effect. It was fantastic.”

Ralph’s attention to detail is evident, and it actually goes even deeper than it seems. “There are a lot of secrets in the design—a lot of buried subliminal stuff,” he reveals, noting that he hopes an eagle-eyed fan will find all the Easter eggs in Good Omens. For now, he’s willing to share just one. “I put Aziraphale’s bookshop on a crossroads of a four-road intersection because of the four horseman of the apocalypse and the four corners of the earth,” he says. “Then I based his bookshop entirely on the design of a compass. And therefore if you look up at the oculus or the skylight on the roof of Aziraphale’s bookshop, it actually is the face of a compass. On the mezzanine level are big brass letters that say ‘north,’ ‘south,’ ‘east,’ and ‘west.’ His office is sitting under the east side, and he was the guard at the eastern gate in Eden.”

everentropy
everentropy

So I was thinking about the scene in the tv series where Crowley responds to Aziraphale saying he’s “nice” by pushing him up against the wall. In the book the reaction is more subdued- possibly embarrassed but certainly more offhand. He’s annoyed but not angry.

When I first saw it my immediate thought was “ah, obviously an excuse to push Aziraphale against the wall. Very good, very gay.” But, while that is an excellent reason it also doesn’t feel 100% correct.* It is a fairly extreme reaction to something that, at most, deserved an angry snarl.

So, I got to thinking about why they may have interpreted it differently in the adaption. Crowley describes, multiple times, how he was essentially in the wrong place at the wrong time when he fell. A member of that group but not an instigator. It wasn’t a conscious choice to rebel, really. Much of the evil he does is annoying, things that make everyday life worse but they’re not as outright diabolical as many of the demons. He makes people lose faith but a lot of it isn’t done directly.

He’s a demon, it’s his job. And I use the term job here quite literally. He has to make reports to the head office, presumably that means there’s at least some kind of punishment for not doing anything- though discorporation is likely to be a last resort, I’m sure Hell can come up with all sorts of nasty things.

So Crowley isn’t truly evil and, importantly, he knows this. I’d say at worst he’s a rebel without a cause. He rebelled against heaven and against hell in about the same measure. He’s not really bad enough to be a demon or good enough to be an angel.

So where does this reaction fit in? Crowley knows if he was really “nicer” he wouldn’t be a demon. He doesn’t ENJOY being a demon, unlike his fellows. Hell is an awful, cramped place. The demons enjoy torturing each other and revel in cruelty. I don’t think he likes a single one of his “co-workers”. If not for a small twist of fate he could have remained in heaven. He knows that if he hadn’t fallen he could have been Aziraphale’s friend/lover/whatever this whole time. He wouldn’t have had to create a complicated scheme (the Arrangement) to interact with him. If he were only as “nice” as Aziraphale thinks he is maybe he could have avoided all of this. It’s an anger born of regret.**

TL;DR Crowley is not angry about being called nice, he’s angry that it doesn’t mean anything

*The Doylist explanation here is that it was to mirror Uriel in that scene by the bookshop. Which is excellent, directing-wise. But that’s not an in-universe explanation.

**And also being gay for Aziraphale

everentropy

@tinsnip I thought you might enjoy this

tinsnip

i do, i do!

hereditary enemies good omens crowley i delight in characters not feeling worthy of the titles they're given there's some gooooood angst there ficseed 'i'm not nice'