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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
harrysnotechanges
harrysnotechanges

image
image

things I love about this:

  1. the fact that David Tennant chose to make Crowley walk like that
  2. the fact that Crowley feels the need to be chaotic and goes out of his way to walk across that tiny corner of grass instead of just walking beside his boyfriend Aziraphale like a normal person… the attention to detail in that! the way it portrays their character!! Poetic cinema!!!
good omens spoilers hereditary enemies good omens
michaelmoonsbookshop
michaelmoonsbookshop

Ethel Larcombe - Original Artwork for a calendar c1908

Ethel Larcombe (née Laura Ethel Larcombe, 1876-1940) was an early twentieth-century British children’s book illustrator and designer. Born and raised in Exeter, she was the daughter of John Samuel Larcombe and his wife Louisa who owned a small school in the town. She first garnered attention for her 1899 representation of Summer for a competition held by The Studio Magazine, and her typographic lettering was subsequently shown at the Prima Esposizione Internazionale d'Arte Decorativa Moderna in 1902 in Turin. She was employed on a freelance basis by Talwin Morris, Art Director at Glasgow-based publishers Blackie & Son to design bookbindings for the firm and their London subsidiary, Gresham. Many of these designs were produced in several colourways. Larcombe’s work can be seen in contemporary publications by The Studio Magazine, Stone, Von Larisch,Walter Shaw Sparrow and Salwey. In the spring of 1917, American retailer Sears marketed green-bordered cotton cloth “coverlettes” bearing Larcombe illustrations to customers looking to decorate nurseries and children’s rooms. Prior to that she had illustrated a number of “rag books” for Dean & Son. Her designs were also used for chromolithographed postcards printed by E. W. Savory Co. of Bristol and she provided an advert for Arts & Crafts furniture designers Neatby & Evans. Larcombe died in Exeter on 12 December 1940.