(Posts tagged writing)

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
nanowrimo

What to Keep When Editing Requires a Reset

lettersandlight

image

The “Now What?” Months are here! In 2014, we’ll be bringing you advice from authors who published their NaNo-novels, editors, agents, and more to help you polish November’s first draft until it gleams. Author Cristina Alger tells us what to do when editing requires mass-deletion:

“So what did you think of my manuscript?”

“It was good.” Jenn smiled at as she took a sip of her coffee. And then, after a pause: “Have you ever heard the term ‘updraft’?”

I shook my head.

“An updraft is a basically a rough first draft, in which the author is just getting ideas onto the page. The term comes from throwing up. As in, you sort of just throw up on to a page. An updraft.” She smiled again.

I nodded, speechless. Had she just compared my manuscript to throw up? I was prepared to hear that my manuscript was boring, or badly written, or otherwise unpublishable. Frankly, I was grateful that Jenn, a well-known agent at a well-known literary agency, had bothered to read it at all and was willing to give me feedback. But … throw up?

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fuck welp writing
koryos

godlessliberalacademic asked:

For the Anon who had trouble getting novel-length story ideas, I've found collecting scenes helps me. In my notes I might have a sentence that describes how people feel about a certain bird- and then suddenly I had a whole scene about the characters being taught this. Write short summaries of scenes, and insert them into your outline. And remember, nothing is too unimportant- you can always cut out the unnecessary once you have your first draft done.

koryos answered:

writing reference this is good advice this works well for me actually he likes thing well WHY?
Thou shalt not just think about writing. Seriously. That is not writing. The worst unpublished novel of all-time is better than the brilliant idea you have in your head. Why? Because the worst novel ever is written down. That means it’s a book, while your idea is just an idle fancy. My dog used to dream about chasing rabbits; she didn’t write a novel about chasing rabbits. There is a difference.
Source: nanowrimo.org
nanowrimo writing burn this shit into your brain tinsnip

Writer’s block is hardly ever a symptom of having nothing to say. It’s usually just your dumb lizard brain beating yourself up because you’re afraid of (in this order, at least for me):

1. Discomfort/ boredom
2. Not knowing exactly what it is you want to say yet
3. Failure

If you can push through the squirminess and clock the hours at the computer like you’re doing brain cardio, puking out whatever it is you MIGHT want to say in a fixed period of time, you’ll be OK. Because once you get ANYTHING on the page, you’ll be able to return to it later and make it better. If you leave and you have nothing, you’re not being very nice to your present OR future self.

The good news is that, even if you’re judging yourself while you barf out that crappy rough draft, what you write is usually not as bad as you think it is! Just make sure you sit on it for a little bit of time before returning to it and editing the shit out of it. It’s always easier to shape something from something than to make something from nothing. So try as hard as you can to blurt something out, even for 10 minutes, and know that once you’re done, the hardest part is behind you.

Writer’s block isn’t magically ordained, or sent down as a decree from God or whatever. It’s not external—you’re the only one doing the blocking! So please try to be gentle to yourself. Being hard on yourself is the #1 cause of misery and wasted time and keeping yourself back. I’ve never heard of anybody who’s bullied themselves into being more prolific or successful.

Give yourself the gift of letting yourself put something down that isn’t perfect. You will return to it later and make it wonderful.

Julie Klausner–Rookie » Getting Unstuck

Wow, okay, every single word of this is true for me, down to the lizard brain and fear of discomfort/boredom.

This is immensely helpful. If she can do it, I can do it.

Source: rookiemag.com
reference writing julie klausner burn this shit into your brain tinsnip
writeworld-blog

redhead414 asked:

you certainly don't have to publish this question - but i was curious as to how you got your professional writing career started. did you just reach out to publishers or did they reach out to you? i've been working on an original manuscript for about a year now and once i get it as polished as i can, i'd love to see if getting it published would even be an option. do you have any suggestions?

rzzmg answered:

Basically, here’s a guide:

1. Make sure your story is completed and well-edited before you even consider what to do with it.

Regardless of whether you plan to submit it to an agent for publication or to self-publish (vanity publish… which I don’t really recommend, because most of the industry frowns on the practise, seeing it as circumventing them/putting them out of a job & it’s very rare for a self-published author to make it big as a result — EL James was a fluke), it needs to be a clean, well-written copy. Typos, grammar issues, etc. will make you appear amateurish, and no one will be interested in reading your story.

In order to assure your story is solid, most aspiring authors join crit groups (i.e. groups of people who you trust who are well-read and literate, who share their stories with each other and offer advise on how to improve the writing). *Note: Make sure everyone in the group has agreed to non-disclosure and copyrights, or else you could risk your story being stolen and published by someone else (I have seen this happen).

2. Once your story is done, you need to multitask. Part of your time should be spent on creating a smart business plan (because as an author, you are a self-employed business, and as such, you have to understand how royalties work, how to read contracts & understand what rights your signing away, how to negotiate a good deal to keep rights to your work, how to report such earnings to the government, and how to run a business out of your home). The other part of you needs to split your remaining time between writing query letters to agents (if you plan to go that route)/prepping your story for self-publishing issues (if you plant to go that route - i.e. obtaining an ISBN, buying cover art, learning what online resources offer the best return on e-book sales vs. exposure to a larger audience, distribution methods, etc.) and move on to your next story immediately (because most publishing houses want you to have at least 1 in the hopper with 1 complete before they consider you). 

Never go idle as a writer. Just because you’ve finished a story doesn’t mean it will sell. Always be prepared for it to flop or never get published, and write other stories to console yourself with the failures. They happen. Not everyone is going to like your ideas or how they are presented. Accept it, take it on the chin, and march on. Come up with new ideas all the time.

3. If you intend to get an agent, you have to send query letters to available agents in the genre you tend to write (i.e. romance, young adult, etc.). There are sites online that will allow you to know what agents are currently accepting new authors, and the genres they are accepting for publishing purposes (some agents are experts at certain fields, and some include lists of genres they WON’T publish this year, i.e. vampires, werewolves, etc.). Agents read these introductory letters, which includes a brief background about you and usually a catchy synopsis of your story. If they’re interested in reading more, they contact you. If the agent likes the work you send them, they will consider signing you and offer you a contract (the terms of which are negotiable).

Remember: the agent you pick is a doorway into publishing - they hook you up with an editor, who hooks you up with a publishing house (in a nutshell). The industry has changed a lot because of vanity publishing, but this is still the basic gist. PICK YOUR AGENT WISELY (be discerning). Don’t just jump at the first offer, and don’t pick an agent because they take you to dinner or are super nice to you. Look at who else uses them, who they represent, and how many contacts they have with the industry. Make sure what they can offer you is compatible to where you want to go as a writer (if you’re looking for a movie deal, find an agent with solid contacts in Hollywood, etc.). As a writer, whoever you choose to represent you will open some doors for you and close others (depending on who they’ve angered or annoyed in the industry previously). It’s all very political and unfortunately, blacklisting does exist, so you need to consider your choice of agent (and how to turn down other agents) VERY carefully. 

*NOTE: I would also NEVER tell an agent you were/are in any way involved in fanfiction or fanart, no matter how excited you are about it. It’s considered a taboo subject by many of them because of the copyright issues. Bad idea. Trust me on this.

*Note: There are websites online dedicated to helping you know how to write a good query letter. I highly suggest you read as many as you can before you try to write one of these.

4. Once you have an agent, your business relationship with them will commence. There is an expectation of putting out at least 1 publishable work a year (some agents demand more). You have to gauge your audience, build up a fan base for demand, and assure you are hip on marketing techniques (as some pub houses have terrible cover artists). Early in my career, I didn’t understand such fine nuances, and some of my stories were pub’d with terrible cover art that I’m embarrassed to look at now, and which definitely affected sales (which affects how many copies a pub house prints or how much of a marketing budget they apply to you, which corresponds directly to how much money you make and whether or not you appear on a Best Sellers list… and whether they think you’re a name worth continuing to publish).

5. Attend writers conventions and join an association of writers in your genre in your area (i.e. The British Fantasy Society, Romance Writers of America, etc.). You need to network, because you need to have published authors willing to write a blurb for your book to help it make more sales (a blurb is something like, “BEST BOOK OF THE YEAR. Couldn’t put it down!” - Stephen King, or “A witty ride through Victorian England featuring steampunk zombies. The most imaginative plot I’ve ever come across!” - The British Fantasy Society, etc. - appears inside or on a cover, usually). Conventions also offer you a chance to do signings for fans, which is a great way to get the word out that you exist and recs from fans on sites like Tumblr (which can improve your image and sell books).

.

*pant pant pant*

I think I covered the basics. I hope this help you. Good luck with your writing, dahling!!!

writing reference intimidating as hell
writeworld-blog

The Four Essential Stages of Writing

writeworld

by Ali

In last week’s post, 7 Habits of Serious Writers, I mentioned the importance of actually writing, plus the need to redraft. I thought it’d be worth putting those stages into context – because they’re not all you need for an effective piece.

Every finished piece of writing passes through four stages:

  • Planning
  • Drafting
  • Redrafting
  • Editing

Sure, you can publish a blog post without doing any planning, or any rewriting and editing. Unless you’re very lucky, though (or writing something extremely short), you’ll be lacking a clear focus, the structure won’t quite work, and there’ll be clumsy sentences all over the place.

I wouldn’t call that “finished”, myself. I’d call it a draft.

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tinsnip

How funny. For me, writing is agony, and editing is joy. What’s up with that?

Source: aliventures.com
writing reference burn this shit into your brain tinsnip

8. Writing Feels Like — But Isn’t — Magic

Yours is the power of gods: you say, “let there be light,” and Sweet Maggie McGillicutty, here comes some light. Writing is the act of creation. Put words on page. Words to sentences, sentences to paragraphs, paragraphs to 7-book epic fantasy cycles with books so heavy you could choke a hippo. But don’t give writing too much power, either. A wizard controls his magic; it doesn’t control him. Push aside lofty notions and embrace the workmanlike aesthetic. Hammers above magic wands; nails above eye-of-newt. The magic will return when you’re done. The magic is in what you did, not in what you’re doing.

Oh, my heavens, yes, this. I will remember this on the days it feels, as Stephen King says, that I’m shovelling shit from a sitting position.

writing reference burn this shit into your brain tinsnip

Say it five times fast: momentum-momentum-momentum-momentum-momentum. Actually, don’t say it five times fast. I just tried and burst a blood vessel on the inside of my sinuses. The point remains: writing a novel is about gaining steam, about acceleration, about momentum. You lose it every time you stop to revise a scene in the middle, to look up a word, to ponder or change the plot. It’s like a long road-trip: don’t stop for hitchhikers, don’t stop to piss, don’t stop for a Arby’s Big Beef and Cheddar. Just drive. Leave notes in your draft. Highlight empty spaces. Fill text with XXX and know you’ll come back later.

Hmm.

I may have to try this.

I nitpick the living hell out of everything I write. I revise while I write. I look for le mot juste.

It might be freeing to try something else, especially while my OC is stuck freefalling down the cliff and I’m trying to figure out what to do with him next…

Source: terribleminds.com
writing reference first draft let it suck burn this shit into your brain tinsnip

19. A Reiteration Of Opinion Regarding “Creativity”

If you looked at that note about spreadsheets and thought something-something blah-blah-blah about how it will destroy your creativity and ruin the magic of the story, then form hand into fist and punch self in ear. If you need every day of writing to be a nougat-filled boat-ride through Pez-brick tunnels, you’re fucked. Rewriting is hard. Creative comes from “create,” and often, revision is about destruction. In other words: harden the fuck up, Strawberry Shortcake, ’cause the boat ride’s about to get bumpy.

I like this guy. He tells me how to write and rewrite without making me hate my own writing. And he’s right, he’s right, he’s right.

Source: terribleminds.com
writing reference editing rewriting burn this shit into your brain tinsnip
feltelures
silvenhorror

This post was inspired by years and years of watching movies, series, and fanfics royally and hilariously fuck up the use of names in the Russian language, coming to the point where, if I see another pair of best buddies call each other by full name, I will shoot something, I…

writing reference